cupp cave was once heralded as belgians best kept secret.Ê well, guess what?Ê the secrets out.Ê from the us to japan, his glitchy beats have stood out as some of the most innovative and rich amongst today s electronic hip hop producers.Ê but he doesnt stop at just making dope beats, he crafts universes, ocean deep and mountains high.Ê hes also proven his ability to wear as the weather and terrains demand while roaming through tese soni landscapes. as kingfisherg hes spen his time excavating golden sine waves from deep, lost caves. as sineshine, hes fished out a treasure trove of long-forgotten disco nuggets.Ê as cupp cave, he serves up busted-gaming-console-and-dusted-broken-beat concentrate, filtered through a tub of radioactive waste to devastating effects. he also forms one half of surfkill along with dynooo. this ep sees françois / cupp cave return to his one true love: making sloppy chicagoesque beats. just like all of vleks output, it comes in a hand-screenprinted, hand made, numbered cover.

parallel to the release of his album >selected works techno< ananda starts on basmati his live series. published here are the tracks which have been established on the floors during his recent live sets. the tracks hold almost forgotten practice to deceive an audience: occasional imprecision is a stylistic device, the post production was skipped, unpolished rough edges remain. live series vol.1 is coming with the tracks >alpha< and >smash<. this year at least 3 more releases of this series will appear on basmati.

this album builds more than just one bridge between the best worlds of frivolousness and dependability – horizontally, vertically, all the directions in between, and in time. no matter what the current when you cross, the beginning and the end dissolve into an everlasting flow in true 25 character. the journey is fueled by its own limitlessness, all the while delivering crucial reference points for a purposeful riptide ride.
the experienced hedonist lets herself be driven through her beloved quarter-note spheres, relishing the moments when, in certain beats, twinkling details lead her towards a different route – one familiar but long forgotten. she strings this pearl on her chain of rhythm-driven moods, calling upon it at the right times to amplify her individual push. the allure of the impacts unfolding redeems each secret whispered by the spirit of the sound.

surprise guest from russia, vakula, hops by with a forgotten collection of tunes that almost meant to be for archipels new release. after compiling, what he describes as, some of his deepest tunes, vakula launches a spatial mental trip with 5 tracks that screams deepness. certainly inspired by detroits movement, people like theo parrish or moodymann, this ep touches shorts excursions of bright, simple melodies layered over lush percussive textures that swirl gently to put the listener in a awaken meditative state.

danish duo laid back made a most surprising comeback to the clubs in 2010 with >cocaine cool<. not that they had ever been really forgotten: their electro pop classic >white horse< remained a sure shot in clubs for the thirty years after its release 30 years back and a constant inspiration to boatload of diverse artists from techno to hip-hop. >cocaine cool< was recorded at the same session but the ironic vocals ridiculing label executives blowing up their frail ego with the chemical substance were deemed to risquee at that time, so the recording collected dust in some box until last year. bostons >soul clap< another duo hailed as one of the hotest things in clubland known for their eclectic funk-rooted taste. they opt for a cool sparser arrangement leaving out the “white horse -like chords. a loose, dry electro funk beat, hpynotic one-note synth, few dub effects and additional vocoder vocals do the trick bravorously. besides an instrumental version theres also a harder jacking dub take sounding like early chicago house edits. and while the boys are add it they also re-edited another huge one from laid back: >baker man< that managed the unlikely balancing act of not only hitting it bigtime in the charts but also in the emerging balearic scene. this 12 inch is cool in every which way!

this brussels-based crustacean s cosmic craft has to be heard to be believed. sounds spring to life from forgotten corners of your speakers, each one battling for your attention yet always emerging at the right time and the right place, painting its part of the picture. shards of broken breakbeat litter the sea-bed and form a solid back bone for this invertebrate s innovative use of samples, synths and instrumentation. leading you from one vast soundscape to the next, complete with unexpected plot twists in foreign waters, squeaky lobster s beats take you out of the aquarium and into the abyss. lapti (rus). this russian beatmaker scavenges most of his samples right off vhs or dictaphone tapes. melodies you ve never heard, together with familiar retro samples, create a nostalgic and cinematic mood. masterly produced hip hop instrumentals, a clear and fresh sound, new themes and original interpretations of old and good - this is the spin of lapti

for his premiere on treibstoff, diego extended his pallet and integrated several flavors of funk into his set-up, extending the well-lubricated machinery and producing brilliant results. this record is a loveletter and an indispensable tool for all those djs, that still take their job seriously. and who havent forgotten about their roots: the club. we all live off air, love... and sweat. comes with a download voucher!
supported by mark henning, gary martin, slam fra, laurent garnier, heiko laux, sascha dive, karotte, james holden, ame and many more.

the follow up from his life on titan ep features 4 more tracks proving why he is definitely on the rise. his perfect style of deep techno is shown on the title track and forgotten lights. what once was and ahead of time on the flip reminds us of classic chicago & detroit sounds. essential.

records like this dont come very often. thankfully it seems there are still people out there who care enough to create beautiful projects and timeless music. after the ingenious june white label came out last summer, these days records office fell in love with it and without wasting any time rushed to contact the mysterious artist and propose an album. although well-hidden in a secret back-alley of west london where june lives and dreams music, his unique approach on acid house, synth wave, chicago house and 80s nostalgia was too good to be left unnoticed and has been favored by people such as panorama bars steffi, mathematicss owner hieroglyphic being, terre thaemlitz and the clone record store to name but a few. almost half a year after his >alleviation< ep, junes debut album >cytheria< has been realized and features a 12inch sampler with two brand new tracks and two remixes by critically acclaimed dj sprinkles on one of junes older tracks >lost area<. terre thaemlitz aka dj sprinkles, who has been well renowned for his contributions in music and arts in general for the past two decades, delivers an epic remix that takes one to a forgotten musical territory somewhere between early warp records, hacienda, 80s new york club sound and older balearic music. the albums cd version includes 10 new songs and 4 from the artists back catalogue and retains a great balance between dance floor orientated tracks and synth-pop.

spun presents the neurofunk legends synthetix & corrupt souls! these artists were a big hype from 2003 - 2006 with their very own unique sound and caused mayhem in the scene on labels like renegade hardware, obsessions, freak, black sun empire, disturbed and many more. spun came up with these 2 forgotten gems that still sound fresh. neuro heads will love the freaky sound of the a-side with the unmistakable heavy stepping beat and neurotic synths. the vibe reminds us of the good old days while the flip will fit in every djs set with its heavy percussion, siren like sounds and heavy synth stabs! still fresh! only limited available, so grab it while you can.

small craft on a milk sea entstand aus brian enos vorliebe für soundtracks, die er anfang der 1970er für sich entdeckte und anderer musik vorzog. in zusammenarbeit mit den beiden jungen komponisten/musikern leo abrahams und jon hopkins entstand dabei ein werk voller sinnlichkeit, intimität und mystik, ausgedrückt mit den möglichkeiten und freiheiten moderner elektronischer musik. dabei kristallisieren sich die stücke mehr aus improvisation statt komposition und wirken für sich alleine gesehen wie das spiegelbild eines stummfilms - wie filme, die nur aus klang bestehen: klangfilme! damit reiht sich brian enos soundkosmos wie von selbst ein in die releasereihe des kultlabels warp, speziell zu dessen electronic listening klassikern aus den 1990ern

supported by: angel molina, david mothersole, dj tlr, paul woolford, simbad, jörn werner, franck roger, fabrice lig, will o brien, hakim murphy, esther duijn,.. >my electronic soul< is probably one of franco cangellis most personal tracks. slow and almost sensual 909 drums create a sonic canvas on which soulful pads and elegant melodies create a timeless electronic ballad reminiscent of early chicago deep house combined with the melancholy of detroit. as the title suggests, this track pretty much exposes francos true roots and is an ode to those long lost and almost forgotten days. >house for brunch< is another deep house offering with more detroit melodics

morning factorys second yore ep, after their critically acclaimed debut ep forgotten moments, is clearly bursting of talent once again and without a doubt. once again weve got a hard-grooving four-tracker from netherlands duo jean-pierre van der leeuw and jozef lemmens (aka loves got me high and enzovoort) thats a match for anything else in the yore discography!

next up on nang we get tooled up with our disco pick-axe to mine one of the most authentic italo vaults, that of once-forgotten-but-now-hero-again beppe loda. having begun djing in brescia aged 16, loda was resident at gambaras soon to be legendary typhoon club from 1980 until the club closed in the same year as the paradise garage, a year before acid house officially began in 1987.

collectors alert! repress of a forgotten old school chicago house jams. originally released on trax sister saber label. remastered/recut, comes with a steve poindexter edit. real chicago madness!! col vinyl available as long as we have stock

new mixes of the massive >i feel love< cover version.

becoming real is a young producer residing in a forgotten suburbia, busy channeling his very own postapocalyptic vision of london. a spectre-like entity flitting between a range of electronic frequencies, his self-termed >ghost-step< sound is as much influenced by a conceptual future dystopia as by luminaries zomby & mount eerie. re-imagining the iciest of grime synths through a warped k records aesthetic, becoming real has forged a frozen universe that still retains an unequivocally human feel. charged with future-dread, this is music for seas drowned in oil, tar-coated forest landscapes, and a prophesised world of underwater clubs and haunted dancefloors. after a sold out debut white label release last year, becoming real is ready to emerge in 2010 with the release of >fast motion< / jens clock<, backed with a scratcha dva remix of fast motion.

58 minutes of alienated, global sound oddities. mixed by dom thomas (b-music/finders keepers). following on from the highly acclaimed ‘miscellaneous mutant mishaps’, b-music and finders keeperslinchpin dom thomas digs deep into his library of forgotten and unloved sound oddities. blurring the lines of mixtape and original composition, this is an explosive mix of denizen funk, psyche rock and proto house, effortlesly crossing boundaries and uncharted sonic soundscapes, defying genre classification. check!

>underground goodies< is a collection of some of the rare nuggets, forgotten classics, heavy dubs and criminally ignored tracks to be found in nrk musics envious back catalogue. the label, now in its 14th year, digs deep……

the mole cooks up two slow burners for the warm northern nights. >nervous disid< emerges from somewhere between bobby konders and that old dance mania b-side you always want to play - but never have the nerve. thick fuzzy kicks, and jacked up toms - result in a heavy techno disco jam for the mixers and lovers.
>secret mummy< is a slo-mo romp into colins secret cookie factory, flavors are tough, fierce, and popping. 9 minutes of organico-inspired house music mixed with forgotten disco horns and old rusted cowbells.

nk20 >sunday morning 2< by murr with remixes by marc schneider & dan m. and mood edit featuring takeshi nishimoto.

first gimme! gimme! release featuring can t live without your love by tamiko jones and the super rare cosmic classic this man by phill & friends band. “can’t live without your love” was popularised by david mancuso s loft cd/lp. originally released in 1979, it’s considered a huge influence as an electronic-disco record and is a massive chicago favourite. this record has been heavily sought after for some time and played by larry levan, ron hardy, gene hunt, frankie knuckles, …… „this man“ was a huge track with dj baldelli at cosmic when it was released in 1980 and it has been top of many collectors wants lists for a long time. very rare and very expensive, this sleazy downtempo rock/dub disco cut really is one of those extraordinary once heard never forgotten tracks.

ruffneck proudly presents his new album, of course brought on the mighty enzyme records imprint! a beautiful designed double 12 inch + bonus cd (contains all tracks from vinyl) which offers you 8 brandnew hardcore bombs that will blow your speakers! already played by all the usual suspects so have it large!

limited collector box set that holds a best of rick wade deluxe cd, five 12inchs (of which two are exclusive to this set, one will not be released for a while, the other one only available in this box) and a collectors car freshener tree. this special limited to 200 copies collectors box holds the three previously released harmonie park revisited 12inchs, plus a fourth one, which wont be available any other way for a while. it also includes an exclusive 12inch to this box, containing both the vox & instr. mix of >crazy luv< (new track). extra bonus item is a car fresheners tree in the shape of the harmonie park logo.

ltd warehouse found !!! slamming remixes jay haze (contexterrior) & magda (m_nus), marc houle (m_nus)... upper class minimal remixes

clone classic cuts continues to dig in the crates to bring back forgotten or obscure records from the past! this is 3 tracks by da posse (produced by hula... one of the outthere brothers... and with maurice joshua, k fingers & martell). strings & its my life are chicagos take on detroit techno... a rare release that sounds like a early derrick may record (think the dance) but maybe slightly more straight forward (as one might expect from chicago). a rare piece in house and techno history since this is one of the rare examples of a record that doesnt show the clear difference between chicago and detroit in the late 80s. this record most likely got produced within 1 year after rhythm = rhythms legendary nude photo and strings of life releases (both 87 and this came out in 88). as extra bonus track we have the groove. a phat bass driven chicago acid track that still rocks it. another fine piece of powerful dance music history back in the spot light!

ltd one sided 10 300 copies only, first come first served! track taken from originals 4. when i was growing up, the only rock record in the house apart from the beatles was a christian rock record: straight talker by bristol band amaziah, my dad was a huge fan. my brother and i listened to it each day, as our matchbox ferraris traced intricate road networks on the patterned living room carpet. soon we knew every word, wah wah solo and squiggly synth noise off by heart. we loved it. and who could thought fifteen years later, while picking through piles of junk in the shed we found this forgotten treasure and searched for the owners and finally gave it a release on our label. so paul and jez, along with dave steel, derek elliott, richard grinter, phil williams, gerald davies and keith loring – and most of all my dad - this is for you.

supported by renato cohen, danny tenaglia, sian, patrick pulsinger, axel bartsch, bukaddor & fishbeck, orde meikle, kiko... let us introduce the new trapez artist deepchild with his brand new 2 track ep on vinyl. deepchild writes bass-heavy machine-music for broken people, disjointed booty-bass for backroomdreamers, fuelled with sweat, jackin funk and tears. >backroom< is such a track, a warm, raw, urgent and sensual. techno at its finest, highlighting deepchilds voice stronger and more delicately than in the other track. his misch-masch of deep detroit futurism, southern-crunk and forgotten space-disco cut with a rusting razor-blade of german tech-minimalism and filtered through a personal collection of odd analogue equipment is a secretformula that has >backroom< come to life! the b-side >death panel my ass< is a masterpiece of a recording with a hell of a tricky production, cool vocal snippets, cool effects over dubs... well a busy track but at the same time at ease and deep.
deepchild is based in australia and has recorded for resopal in the past. he is playing worldwide and on trapez parties in 2010 !

the black label is dedicated to bring forgotten gems out of the closet as well as to rework tunes near the inner core of the producers involved in the label. theres no formula but to touch base with the music we love, be it then inspired from 60 s motown, 70s disco, 80s boogie or 90s klf.

in a fresh, light and nippy way mr. russell drums us out of the indian summer into the oriental autumn. pipes of pan prance above this cool arab beat and take a rocking guitar line in between. and because germany becomes extremely cold these days, fenou #9 heats up more pressing than its predecessors and warms us on top with a vocal taken from the arabian nights that crackles in our ears. the flip side shows more deepness and blows over a warm breeze of spanish dance air on the guitar. vocals whisper longingly above the drums, engrossed in thought far away at the seaside. with this record autumnal coldness is long forgotten and expelled.

aux-rec is being launched by airdrop records as an offshoot label designed with a specific mission in mind: to look back and pay tribute. aux-rec surveys musical history looking for those inspiring pieces of music (famous or forgotten) that carry a very distinctive groove and identity, and that offer the potential to be revisited in an ingenious contemporary way. at airdrop, we love music of all ages and of many genres! we feel aux-rec is a way for our artists and for us to pay our due respects to the origins and the evolution of contemporary dance music.
the existing airdrop roster of artists will be invited to contribute to aux-rec, but different artists will also be uncovered specifically for this project. off to a fresh start, franco cinelli and club rayo (a duo composed by rafael sorol and pablo terreil) engrave their long-time friendship on this record. franco cinellis first productions were released on the duos imprint club rayo disquets at the beginning of the millenium. the club rayo collective has been extremely active in the local argentinean scene for more than twelve years now.
going back to one of music historys greatest classics, >fever<, franco cinelli and club rayo bring their own interpretations to a theme that has known as many versions than people taking a sing at it in the shower! using ella fitzgeralds and elvis presleys voices, club rayo create repsectively the fitzgerald mix - a rocking dancefloor jam looping ellas fantastic voice bringing it to a culmination - and the king dub - a 118 bpm groove punctuated by elvis low-pitched and resonant tone. cuerdas is a short guitar instrumantal rendition of the fever theme. on his remix, franco cinelli creates a 10 minutes drum symphony, especially designed for the post-climatic hours. both producers kept in mind ellas famous quote when undertaking this great enterprise: >i stole everything i ever heard, but mostly i stole from the horns.<
the following releases on aux-rec will also be in the form of bootlegs, edits, re-works or samples (you name it). they will bring back memories to your heads and mostly the groove to your feet. to be true to its mission of a vintage exploration, aux-rec will be releasing exclusively on vinyl, in the tradition of the essential music format of the 20th century. there will be no digital releases at aux-rec. in the pipeline are soul claps edit of laid backs >bakerman< as well as le loups version of sheila es >a love bizarre<, produced by prince.
also played and supported by agnes, butane, ripperton...

chicagos gatekeeper have been key in helming a new wave of gothic, analog fuelled disco gaining inspiration from their home town wax trax heroes and the legendary film scores of slasher/horror films from the likes of goblin, john carpenter and claudio simonelli.

stephen falken is a member of the outrunners, a duo who relish their italo disco, and have two feet firmly planted in the 80s. falkens synth drenched four tracker is one part jan hammer and one part tangerine dream, coming on like a forgotten john carpenter soundtrack.

clone classic cuts continues to dig in the crates to bring back forgotten or obscure records from the past! this is 3 tracks by da posse (produced by hula... one of the outthere brothers... and with maurice joshua, k fingers & martell). strings & its my life are chicagos take on detroit techno... a rare release that sounds like a early derrick may record (think the dance) but maybe slightly more straight forward (as one might expect from chicago). a rare piece in house and techno history since this is one of the rare examples of a record that doesnt show the clear difference between chicago and detroit in the late 80s. this record most likely got produced within 1 year after rhythm = rhythms legendary nude photo and strings of life releases (both 87 and this came out in 88). as extra bonus track we have the groove. a phat bass driven chicago acid track that still rocks it. another fine piece of powerful dance music history back in the spot light!

there seems to be a bit a mystery around this record... and let some of this mystery remain. these two remixes of a fairly obscure song are pretty well known to the public, as for the last year or so they were regulars both in live sets of jacek sienkiewicz, and dj sets of ricardo villalobos. right now these two artists share credits to this obviously outstanding release. >pilgrim< is a vital, mesmerizing, uplifting piece of magic. one can assume, telling from the unusual, muezzin-like chanting, that it comes from some forgotten oriental library record... in fact, it was written in the seventies by a respected polish composer and extraordinary vocalist to the words of 19th century polish poet. now you can hear its modern, not to say futuristic, interpretation by two of the most forward-thinking electronic musicians from two different sides of the globe.

another superbly curated selection of rare and undiscovered gems from the world of afro disco as author of the hugely popular american athlete blog, mr les stache has become an invaluable resource for all eager disciples of the good groove, shining a light on the often forgotten tracks from an overpopulated genre. as a true afficionado, these edits and amends are done with plenty of reverence for the originals, without ever losing site of their need to work the floor aside form including a majestic rework of arguably the best afro disco track ever made kabbalas ashewo ara (retitled kabbooga loo here) we get two more deadly jams concocted from drums lalabye and john ozilas funky boogie as with the first two volumes, these are ludicrously limited (300 copies) so get busy!!

tony nwachukwu is a pioneer and his musical roots go way back. he was the mastermind behind attica blues on the legendary mo wax label and has produced wonderful music which is still timeless. remixes for people like unkle, macy gray and even duran duran prove how incredible he is. at the red bull music academy he teaches his skills to young talented producers and has established an interesting night at londons plastic people called cdr where they only play unreleased music. cdr has also worldwide events. with burnt progress he gives young producers the chance to release their music on his label. his first ep for drumpoet is championing his big love for techno(logy) and equipment in general and underlines the great musical knowledge and open-mindedness of this forgotten legend he is! the ep has already huge support from some of the best djs around and the quality of all three tracks whether it is the detroit-ish t time too the twisted outta ere or the broken flowin is impossible to ignore!

just in case someone might have forgotten: stil vor talent is based in berlin. and this ep by sascha braemer, one part of heinrich & hirtenfellner, proves just that. braemer, whos just been at the top of everybodys dj charts with his funk-laden minimal soul piece >mamba drums< on kindisch records, has donated three tracks to oliver koletzkis imprint that mirror what this city is best know for: funky minimal grooves. first up there is >ghost track< a typical dry minimal loop with a rhythmically in touch vocal sample that is then juxtaposed by a simply astonishing piece of melody. goose bumps and groove humps on the floor - guaranteed! on the flip: >girl<. here braemer has created a dubby piece of tech house that floats towards a soulful vocal and some beautiful strings. this is one for the early morning, or in berlin, the late afternoon, those times when everything seems in perfect harmony with each other. last up is >guitar man<, yet another very sample-based stripped down loop with one riff of an echoed guitar being the protagonist. when that riff is fully played out, we all know its summer. but it wouldnt be berlin if there werent some dark wobbly basslines seemingly destroying this but in fact creating the perfect combination of soft and hard, of light and dark. on top of this the vocal sample >i wont leave< perfectly encapsulates the vibe of the praised berlin afterhour. stil vor talent is back at home with this ep.

igor from antwerp went a little crazy with one of his favorite pieces of music... but what igor did is not just another cover or re-intrepetation... he did make a highly expolsive track based on stravinsky s classic sacre du printemps. ok we agree.. that sounds kind of corny and pretentious... but somehow this bloke managed to get it all right. sounds like a forgotten techno classic from suburban knight who was recording with laurent garnier in his good old days and had henrick schwarz as studio engineer... a classic take on techno with a break that will revive more than one igor. this is a euphoric hands in the air, goose bumps al over record that works at the right moment.

te amo is a forgotten gem originally released on the volumex label back in 1993 and then licensed to the legendary vc records in the u.k. with mixes from john digweed. this was a huge anthem back in the early 90s full of balearic passion and happiness which is often missing in todayÆs music. but lets not get carried away in the memories of the past and check out these brand new mixes. in fact, the record makes a fine return to todays scene thanks to brilliant interpretations from two of our favourite djs/producers out there: hotly tipped paolo mojo and tapesh.to round off one pretty nifty package, the original caliente mix is enclosed also. and this still sounds as relevant today as it did almost two decades ago. a blast from the past indeed! very similar to releases on record labels like cr2, defected and toolroom.

well, its been a lil while since you last heard from us as we ve spent most of our time setting up our download platform. that doesnt mean that we have forgotten about the music though. matter of fact, we ve got some nice gems lined up for you! allow us to introduce them to you properly...

superhuit presents the 3rd teo boogymann moritz album. eight funky & soul house tracks produced by teo boogymann moritz. this album, thick black theory is a shoot to 60s & 70s soul music and its political engagement forgotten today.

following the phenomenal success of volume 1 was never going to be easy, but pat les stache strikes again ! his informative and well respected american athlete blog has become an addictive and invaluable resource for all eager disciples of the good groove, shining a light on the often forgotten tracks from an overpopulated genre. as a true afficionado, these edits and amends are done with plenty of reverence for the originals, without ever losing site of their need to work the floor these four tracks shine a light on less well known, often lp cuts from household names like john davis & nightlife unlimited to obscure acts like shîtan. all lovingly drawn out and twisted into new arrangements by a man who certainly knows his craft

albion got his first bookings in high school on his friends parties and played his first gig in a club in the early nineties. ten years later he rediscovered the sound of his childhood, disco. since then he has been throwing parties and playing in clubs, digging deep for records and obsessing about long forgotten music. in 2006 albion started making the astronomix and mixtura mixes for c-b-s which made him gain his reputation as a mixer of the most far out disco this side of the moon. hes now part of the heavy outfit which is ambassadors reception

fame and zouk imprint owner mischa daniels has chosen his direction. the only way is up! with the success of his another place still fresh in memory, hes now hitting back hard with all that mattered. the original vocal sample comes from a memorable classics: de nuit- all that mattered, which had its first released in 2001. more than 8 years later, with the steady beat, the shivering vocals and a hypnotizing synth on top, this mischa daniels remake is about to break down the house and tear down the clubs. all that mattered wont easily be forgotten. dj support: steve angello & ingrosso: on it! supporting this new track of mischa! tom novy: looks really good to me! john dahlback: support!

nrk - sampler 3 kicks of with the track most people associate with dj sneak, >you cant hide from your bud<, one of the records that broke the whole filtered disco thang. blue boys >sandman<. taking a riff and pitched up vocal from the undisputed truth, many will perhaps have forgotten this gem, but is ripe for revival now! side two offers up the fantastic >shake it for me< from uk producer dj d brining up the rear, studio 45s >i like the sound< was a hit on azuli in 1999. pure mirrorball dancefloor stuff. sneak essentials

refreshing darker techno w/ subtle dubby work outs - recommended!

the right side up ep is the first solo record release from frankie j since his departure from the famed sound republic duo that spatula city records knows so well. what you can expect is all the flavorings of the style you know so well but will leave your breath with long lasting freshness. on the a side we have shuck n jive, which is a super bouncy throwback to the classic ghetto house sound that keep asses in the air and feet working. the flip side burns with a tasty new school jacker called phat soul kicks.